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This story, described by their mom, relates an ungainly get-together of two sisters, Maggie and Dee. Maggie has consistently been a less difficult young lady who wanted to remain at home with their mom, Mama, in Augusta, Georgia. Dee, be that as it may, was sent to class, ventured to the far corners of the planet, and picked up progress. Dee’s appearance is premeditated by a demeanor of disquiet as neither Maggie nor Mama recognizes what odd traditions Dee may have gotten. As the time gravitates toward a vehicle approaches Dee rises with an outside sweetheart. Maggie is cumbersome and cold to the new visitor, and Mama is tired. Dee announces that she has changed her name to Wangero Leewanika Kemanjo because she does not want to be named after the people who oppressed the African Americans so she gave herself a traditional African name to honor her roots.
Dee’s appearance is met with much more anxiety as she treats Maggie like a blockhead. She at that point requests that Mama bring home the family ancient rarities that are as yet utilized by the ladies in their regular daily existences, for example, an old margarine beat. As Dee keeps on guaranteeing rights to these old family things, feeling that she can appropriately value them, she runs over some specific family possessions that lead the story to its contention about the importance and present-day estimation of legacy. Dee experiences Mama’s trunk and develops with blankets woven with the garments of their family’s progenitors including their Grandma Dee’s dresses and their incredible granddad’s common war uniform. Dee says that she will remove the blankets from their hands with the goal that she can gladly hang them and show them at her home. This doesn’t turn out well as these blankets were at that point vowed to Maggie. Dee repels this by expressing that Maggie will utilize them as though they are only a typical, unsentimental thing and will destroy such valuable legacies. The story closes with Dee putting down both Mama and Maggie Dee points out the error of their ways at the end of the story when she tells her sister, You ought to try to make something of yourself, too, Maggie. Its a new day for us. But from the way you and Mama still live youd never know it. (Walker 294)
Everyday Use brings up many points that can be applied to society as a whole. The story contains numerous exercises to be learned in legacy, convention, and roots. Dee has a contradicting assessment of Mama and Maggie. Dee considers legacy to be something that will be shown and regarded, however ought to be left previously. Her mom and Maggie see no mischief in proceeding to live how their progenitors consistently have. They believe that by doing this one’s legacy is being respected and appropriately kept up. To genuinely acknowledge legacy, significantly, it proceeds as a lifestyle, nonetheless, this doesn’t imply that it can’t change and individuals must be solidified before.
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